The FESPACO General Delegation recently held a press conference at the Pacific Hotel on August 8, 2024, to provide an overview of the preparations for the 29th edition scheduled from February 22 to March 1, 2025.
Alex Moussa SAWADOGO, the General Delegate, shared the latest updates, highlighting the open registrations for five categories: films, communications, accreditations, the MICA, and Yennenga workshops. He urged all stakeholders to meet the registration deadlines to ensure the festival’s smooth organization.
As of today, 364 films have already been submitted for competition, promising a diverse and high-quality selection. The opening and closing ceremonies will be directed by renowned playwright Aristede TARNAGDA, who has planned exclusive performances for festivalgoers.
The special guest of the conference, Mr. Abdoulaye BABALÉ, Secretary General of the Ministry of Culture of Chad, reaffirmed his country’s full commitment to this edition. He emphasized the bonds of fraternity between the two nations and the importance of their cultural cooperation.
Stay tuned for more updates on this exceptional edition of FESPACO 2025, celebrating the talent and diversity of African cinema.
The preparations for FESPACO 2025 seem to be progressing impressively, with a wide range of activities and categories planned. It’s exciting to see the number of films already submitted, showcasing the richness of African cinema. The involvement of renowned personalities like Aristede TARNAGDA adds a special touch to the event. The commitment from Chad highlights the significance of cultural collaboration in this festival. How will this edition further strengthen the bonds between Burkina Faso and Chad?
The preparations for FESPACO 2025 seem to be in full swing, with a strong focus on organization and inclusivity. It’s impressive to see the high number of film submissions already, showcasing the richness of African cinema. The involvement of Aristede TARNAGDA for the ceremonies adds an exciting artistic touch to the event. The commitment from Chad highlights the importance of cultural collaboration in the region. What specific themes or messages will this edition of FESPACO aim to highlight through its film selections?
It’s impressive to see how FESPACO continues to grow and bring together such a diverse range of talent. The involvement of Aristede TARNAGDA for the ceremonies sounds exciting—his creativity will surely make this edition unforgettable. It’s great to hear about Chad’s commitment and the cultural collaboration highlighted by Mr. BABALÉ. Will there be any special focus on showcasing emerging filmmakers this year? The number of films submitted already is impressive, but how will the selection process ensure fairness and diversity? I’m curious about the MICA and Yennenga workshops—what unique opportunities will they offer for participants? Looking forward to seeing how this edition will celebrate the richness of African cinema.
It’s exciting to see such detailed preparations for FESPACO 2025! The inclusion of five categories for registration shows the festival’s commitment to covering all aspects of cinema and culture. The number of films submitted already is impressive, and it’s promising to think about the diversity we’ll witness. Aristide TARNAGDA’s involvement in the ceremonies adds an extra layer of anticipation—his work is always remarkable. The support from Chad’s Ministry of Culture highlights the collaborative spirit of African nations, which is inspiring. I wonder, though, how will the festival ensure accessibility for international audiences and filmmakers? The dedication to showcasing African talent is commendable, and I’m genuinely looking forward to experiencing this celebration of creativity and unity.
This is such an exciting update about FESPACO 2025! The diversity of films already submitted is impressive, and it’s clear this edition will be a major celebration of African cinema. Aristede TARNAGDA directing the ceremonies is a fantastic choice—his work always brings something unique. It’s great to see Chad actively supporting the festival, and it highlights the importance of cultural collaboration in Africa. The call for stakeholders to meet deadlines is crucial for ensuring everything runs smoothly. Overall, it feels like this will be a landmark event for African film. What specific themes or innovations can we expect from this edition to make it stand out from previous ones?
It’s exciting to see the preparations for FESPACO 2025 taking shape so well! The diversity of films already submitted is impressive, and I’m curious about the themes they’ll explore. Aristede TARNAGDA’s involvement in the ceremonies adds a lot of anticipation—what kind of performances can we expect? The collaboration between Burkina Faso and Chad is inspiring; it’s great to see such strong cultural ties. I wonder how this partnership will influence the festival’s atmosphere and programming. Do you think this edition will set a new standard for African cinema? I’m really looking forward to seeing how everything comes together!
The preparations for FESPACO 2025 seem to be in full swing, and it’s exciting to see such a high number of film submissions already. The involvement of Aristede TARNAGDA for the ceremonies adds a touch of prestige, and I’m curious about what exclusive performances he has planned. It’s also great to see Chad’s strong commitment to the festival, which highlights the cultural ties between nations. However, I wonder if there will be any special focus on emerging filmmakers or new trends in African cinema this year. The diversity of the film selection is promising, but how will the festival ensure a balance between established and new voices? Overall, this edition seems like it will be a remarkable celebration of African talent, and I’m looking forward to seeing how it unfolds. What do you think will be the standout moment of FESPACO 2025?
Great to hear about the progress for FESPACO 2025! The festival always brings such vibrant energy to African cinema. It’s impressive to see 364 films already submitted—surely the competition will be fierce. Aristede TARNAGDA directing the ceremonies is a fantastic choice; I can’t wait to see what he has in store. The collaboration between Burkina Faso and Chad is inspiring; cultural exchanges like this strengthen our shared heritage. I’m curious, though, how will this edition stand out from previous ones? What new elements are being introduced to make it truly unique? Looking forward to seeing how everything unfolds!
It’s exciting to see the preparations for FESPACO 2025 already gaining momentum! The lineup of 364 films submitted so far suggests a rich and diverse selection, which is always a treat for cinema lovers. I’m particularly curious about the performances by Aristede TARNAGDA—his reputation promises something truly special for the opening and closing ceremonies. The involvement of Chad’s Ministry of Culture also adds a meaningful layer of cultural collaboration. Do you think this edition will set a new standard for African cinema? I’m also wondering if there will be any focus on emerging filmmakers or new trends in storytelling. Overall, this feels like a celebration worth marking on the calendar!
The preparations for FESPACO 2025 sound incredibly exciting! It’s impressive to see 364 films already submitted, and I can’t wait to experience the diverse selection. Aristede Tarnagda’s involvement in the ceremonies is a brilliant choice—his work always brings something unique. The collaboration between Burkina Faso and Chad is inspiring, and it’s great to see such strong cultural partnerships. The call for timely registrations makes sense, but I wonder if there’s flexibility for late submissions in exceptional cases? This edition seems like it will be a milestone for African cinema, but how do you plan to ensure accessibility for international audiences? I’d love to hear more about the specifics of the MICA and Yennenga workshops—they sound like fantastic opportunities! What do you think will be the standout moment of this festival?
The preparations for FESPACO 2025 seem to be in full swing, and it’s exciting to see such a strong commitment from all parties involved. The diversity of films already submitted is impressive, and I’m curious to see how the selection will reflect the richness of African cinema. Aristede TARNAGDA’s involvement in the ceremonies adds a layer of prestige, and I’m eager to witness his creative vision. The collaboration between Burkina Faso and Chad highlights the importance of cultural unity in the region. However, I wonder if there will be any specific initiatives to engage younger audiences or filmmakers in this edition. What steps are being taken to ensure that FESPACO continues to innovate and stay relevant in the ever-evolving world of cinema? Overall, this seems like a promising edition, and I’m looking forward to seeing how it unfolds.
The preparations for FESPACO 2025 sound incredibly exciting! It’s impressive to see how many films have already been submitted, and I’m curious about the diversity of themes and stories they’ll bring. Aristede TARNAGDA’s involvement in the ceremonies is a great choice—his work always leaves a lasting impression. The collaboration between Burkina Faso and Chad is inspiring, and it’s wonderful to see such strong cultural ties. I wonder if there will be any special focus on emerging filmmakers or new trends in African cinema this year. How can international audiences get more involved or support the festival? I’m already looking forward to seeing the final lineup and experiencing the magic of FESPACO!
We’ve integrated libersave into our regional voucher system. It’s amazing how easily it brings together various providers on one platform.